Take a trip down psychedelic, vintage lane in “Psych Out” a trippy dippy film from the 70s.
A dark, thick liner paired with a bright, rainbow hue and nude, shimmery lips has always been my makeup regimen. Add glitter and you’re ready for a party.
Cheer up a friend and give them a thoughtful gift. Strapped for ideas or cash? Try a single flower, sketch or candy bracelet and channel the love-passing, pay-it-forward smiles of flower children and candy ravers everywhere.
This was so rad, everyone was lounging around while some girls started pulling glittering beads all up and over the staircase. It created glimmering prisms in the hands of everyone as they grabbed more strands to pull and hang. The completion created a spiderweb of starlight.
“God is alive and well in a sugar cube” (a reference to LSD as it is injected into sugar cubes)
Don’t ever take drugs in an uncomfortable setting. Especially LSD.
Jack Nicholson, aka Stoney, plays a too-cool hippy and blows off his lovely, tripping Alice.
This movie is absolutely fun and visually stimulating for those who adore the drug and hippy culture of the 60s. It proves a point however as a propaganda film that drugs can be very dangerous when taken in unsafe circumstances and you’ll also watch lovely people deteriorate as they do not follow this guideline.
The mod youth culture of the early 1960s used the word rave to describe any wild party in general. People who were quite commonly seen in attendance to the parties were sometimes called ravers. However specifically speaking of the rave culture and how it started, the terms rave and rave party have been used since the late 1980s worldwide to describe dance parties. This subculture was inspired by the acid house movement. DJs and other performers play electronic music of a wide range including happy hardcore, trance and jungle at these parties.
The rave attendees go to dance, socialize, use drugs and have fun in an uninhibited way with like minded people. Attendees also commonly partake in the use, distribution or sale of club drugs such as MDMA, LSD, cocaine, amphetamines and, most recently, ketamine.
Candy ravers can primarily trace their style of fashion to the late 1980s culture and the “Summer of Love” in the United Kingdom. Fashion in clubs at the time were primarily day-glo colored attire, smiley face clothing, beads and whistles.
In the US this loud, colorful and inviting style was used to locate the drug dealer at rave parties. This cute attire however caught on and the candy ravers formed a community of Peace Love Unity and Respect. The lifestyle and mantra lives on throughout old skool and new ravers alike. The candy rave scene has died out a bit since it’s abundance in the mid 90s and early 00s but raves can still be found if you look around and the fashion has evolved and lives on. It has been said that the style is similar to the decora style of Harajuku in Tokyo, Japan. Each style has a completely different community and mantra; it’s kind of like saying hippies and beatniks are the same. Candy ravers continue to adore the color, fun and happiness and unity of an adoration for the cuter, more colorful things in life.